Friday, March 7, 2025

Shining a bright Book Spotlight on The Welsh Warrior's Inheritance by Arianwen Nunn #HistoricalFiction #WelshHistoricalFiction #WomenInHistory #RecommendedReading



The Welsh Warrior’s Inheritance

The Welsh Warriors Series

by Arianwen Nunn



Blurb:

It is 1109 and the Welsh warrior and firebrand, Owain ap Cadwgan abducts Princess Nest from the castle she shares with her children and her husband, Gerald of Windsor. King Henry of England, furious that Nest, who is also his lover and mother of his son, begins a manhunt to find Owain and return Nest to her husband.

In Gwynydd King Gruffydd ap Cynan and his wife risk everything to hide them and get them to safety in Ireland despite the efforts of Gronwy ap Owain, Angharad's vicious brother who would like to see Gruffydd and Owain dead.

King Henry uses Bishop Richard to start kinship warfare in Wales then declares war against the Welsh determining to exterminate them all.

Can Gruffydd and his family survive the greatest army ever led against Wales?







Arianwen Nunn


Arianwen Nunn was born in Wales but now lives in Australia and writes historical fiction based on the Welsh kingdoms in the Middle Ages.

Arianwen has written a series of three books, 'The Welsh Traitor's Daughter', 'The Welsh Warrior's Inheritance' and 'Bards Sing of Love and War' which follow the lives of King Gruffydd ap Cynan and his wife Angharad and their family.

She has also written two children's books, 'The Welsh Warrior's Wonder' and 'Where Dragons Still Roar'.

Connect with Arianwen:
Website • Twitter • Facebook • Instagram




Wednesday, March 5, 2025

Editoral Review: White Feathers by Susan Lanigan

 


*Editorial Book Review*

White Feathers
By Susan Lanigan


Publication Date: 21st March 2025
Publisher: Idée Fixe Press; 2nd edition
Page Length: 396 Pages
Genre: WWI Historical Romance / Historical Fiction

In 1913, Irish emigrée Eva Downey receives a bequest from an elderly suffragette to attend a finishing school. There she finds friendship and, eventually, love. But when war looms and he refuses to enlist, Eva is under family and social pressure to give the man she loves a white feather of cowardice. The decision she eventually makes will have lasting consequences for her and everyone around her.

Journey with Eva as she battles through a hostile social order and endeavours to resist it at every turn.



“Why do you think I didn’t tell my mother some girl gave me a white feather?”

A white feather, a symbol of disgrace and cowardness, is given to those not in uniform, regardless of their beliefs and health. There were so many feathers and so many men who went to war because of them.

Eva Downey is not like the rest of her family. She is honest, vulnerable, and in love. But one little white feather sets off a chain of events that will alter not only her life, but those she loves, forever. 

Unforgettable characters and masterful storytelling make Susan Lanigan’s “White Feathers” a captivating historical romance encompassing the full spectrum of human emotion. Set against the backdrop of World War I, this novel is so engrossing that you’ll stay up all night to finish it. 

The reader first meets Eva Downey as she is on her way to the prestigious Links School for Young Ladies. She’s recently inherited a remarkable legacy from Lady Elizabeth Jenkins, who had once been described as “The New Feminist”, with whom she had met and subsequently wrote an article for entitled, “A Jolly Night Out Hiding from the Census Man.” This unexpected windfall not only promises to alter her future but also ignites a fierce conflict within her family. Her self-centred and abusive stepmother, Catherine, views the money as a personal insult, especially since her own daughter, Grace, cannot attend the school due to financial constraints. The tumultuous clashes with her domineering stepmother and scheming stepsister throughout this book immerse Eva in a world of emotional turmoil, causing a profound sense of distress and altering the trajectory of her life in a way she could never have anticipated. Her father always sides with Catherine just to keep the peace, and the reader cannot help but despise him for his cowardness. Ironically, if anyone was deserving of a white feather, it would be him. Eva’s sister, Imelda, is the only member of her family in which she has any sort of normal relationship with. As the narrative unfolds, Eva finds herself continually faced with a relentless barrage from members of her family that are not only abusive, both emotionally and physically, but challenges her resilience. Blackmail is not above her stepmother and stepsister, and Eva really struggles to balance what she wants with what her stepmother and stepsister does. 

Eva’s character resonates deeply with readers, creating an almost physical connection. Initially, she appears resilient. However, hidden behind her brave exterior is a deep longing for love. It is a yearning that unexpectedly leads her to find it. Her beau, while captivating in his own way, brings with him an unsettling power imbalance and a tempest of uncontrolled emotions. The dynamic of subtle emotional abuse manifests with Eva suffering the consequences of his frustrations. His inability to manage his feelings spills over, casting a shadow over the tenderness she craves. Eva, tragically accustomed to blame, accepts this unjust guilt unquestioningly. Eva’s naivety and inexperience with love leave her incredibly vulnerable, making readers desperately hope his feelings for her are genuine. As their relationship evolves, a delicate bond begins to blossom, revealing layers of connection that defy their difference, particularly their age gap and how they met. Their intertwined lives, full of tension and warmth, pull readers into the complexities of their love story. The reader intuitively understands that, regardless of their affection, this love will inevitably lead to greater pain for both of them. Despite its poignant beauty, their flawed love story is ultimately overshadowed by the harsh realities of the world in which they live in.

Sybil is the one true constant in Eva’s life. Having met at Links School for Young Ladies, their relationship soon develops into a profound friendship. Sybil’s heart is rooted in kindness and compassion. When Eva does not have a dress to wear to a ball, Sybil makes one. She possesses an innate desire to guide her friend, gently steering Eva toward the paths that lead to her best self. The story shows Sybil’s evolution from school friend to confidante, steadfastly supporting Eva without judgment. In times of uncertainty, she offers comforting reassurance, gently reminding the reader that love comes in many forms. Despite her serene demeanour, Sybil’s life story is one of profound challenges and heartache. She is not immune from abuse, either. This discovery highlights a painful truth that money can’t buy happiness or remove pain, contradicting the belief that it solves all problems. Together, Eva and Sybil navigate their intertwined journeys, finding solace in their friendship as they confront the complexities of their lives.

The theme of cowardness is explored time and time again, throughout this novel. The symbolism of the white feather becomes something more than a symbol. It is a cohesive use of persuasion. No man wants to be tarnished with the word coward, no matter what their circumstances. Catherine and Grace are caught up in the whirlwind of judgment and condemnation, and the white feather allows them to act in public as they do inside their own home. Grace, in particular, uses the white feather as a form of blackmail to get what she wants, although the readers often question why she is so desperate to achieve her aims. Is it just pure vindictiveness, or is it something else? The symbolism then carries forward to the war itself, where carrier pigeons are the unsung heroes of the war, despite their feathers.  

Eva’s life is marked by repeated setbacks, culminating in her fleeing her reality by becoming a nurse in the war. Lanigan fearlessly delves into humanity’s shadows, crafting an atmosphere thick with pressure, grimness, and quiet despair. As the country becomes embroiled in war, the harsh realities of the conflict are depicted with historical accuracy, skill, and diligence to the era. The fear faced by soldiers as they attempt to cross “no man’s land”, along with the dire consequences if they refuse to go, is portrayed with painful clarity. Similarly, the experience of working in a field hospital is illustrated with masterful detail. The long hours filled with waiting and listening to the sounds of battle, all while knowing that soon the wards will be overwhelmed with wounded and dying men, certainly made for a compelling, if not disturbing, read. Descriptions of suffering, death, and the relentless workload for nurses and doctors evoke a sense of bleakness and despair, raising the question: Why are men repeatedly sent “over the top” when the results are always the same? Lanigan also demonstrates a clear understanding of mental health issues, particularly shell shock, which modern readers would recognise as Post-Traumatic Stress Disorder (PTSD). The characters in this novel respond differently to how they process the horrific events and the deaths of their friends. While some characters rely on humour to cope with trauma, others take practical steps, whereas the unfortunate get trapped in relentless flashbacks and fear, reliving their most horrific moments over and over again. The plot grows more complex with figures such as Brigadier McCrum, who shows complete indifference toward Osborne House patients and their mental health. In his mind, he holds vengeful thoughts, and he behaves in a physically brutal manner. He has never seen the atrocities the patients experienced but orders them to return to combat immediately, even when they remain unfit for duty. Through his actions, the book prompts readers to reflect on the true enemy while questioning why these young men were used as mere cannon fodder.

With its captivating storyline and immersive setting, “White Feathers” by Susan Lanigan comes highly recommended to fans of World War I historical romance and historical fiction.

Review by Mary Anne Yarde
The Coffee Pot Book Club

Only 0.99 on #Kindle for a Limited Time
Universal Buy Link
Pre-order your copy today! 


Susan Lanigan



I graduated from Trinity College Dublin with a degree in English and History in the late 90s, then pursued a Graduate Diploma in I.T. in Dublin City University and a Masters in Writing in NUI Galway.

My first novel White Feathers, a tale of passion, betrayal and war, was selected as one of the final ten in the Irish Writers Centre Novel Fair, 2013, and published in 2014 by Brandon Books. The book won critical acclaim and was shortlisted for the UK Romantic Novel of the Year Award in 2015.

My second novel, Lucia’s War, also concerning WWI as well as race, music and motherhood, was published in June 2020 and has been named as the Coffee Pot Book Club Honourable Mention in the Modern Historical Book of the Year Award.

Connect with Susan:



Monday, March 3, 2025

Have a sneak peek between the pages of Death of a Princess by R.N. Morris #HistoricalMystery #HistoricalFiction #RecommendedReading



Death of a Princess

Empire of Shadows, Book #3

by R. N. Morris


Summer 1880.


Lipetsk, a spa town in Russia.


The elderly and cantankerous Princess Belskaya suffers a violent reaction while taking a mud bath at the famous Lipetsk Sanatorium. Soon after, she dies.


Dr Roldugin, the medical director of the sanatorium, is at a loss to explain the sudden and shocking death.


He points the finger at Anna Zhdanova, a medical assistant who was supervising the princess’s treatment.


Suspicion also falls on the princess’s nephew Belsky, who appears far from grief-stricken at his aunt’s death.


Meanwhile, investigating magistrate Pavel Pavlovich Virginsky arrives in Lipetsk from St Petersburg, seeking treatment after a nervous breakdown.


Against his better judgement, Virginsky is drawn in to the investigation. But is he getting closer to the truth or walking straight into a deadly trap?



Pavel Pavlovich Virginsky stumbled onto the busy platform like a pea dislodged from a blocked funnel. He blinked in the sudden sunlight, having slept most of the seven hours from Moscow. In truth, he had also slept through the previous leg from St Petersburg too.

His mouth was lined with an unpleasant layer of sticky residue. He licked his teeth and grimaced at the taste.

Somewhere, birds were singing, an onslaught of noise, devoid of sentiment.

The journey had passed in a numb, throbbing daze. He barely knew where he was, how he had got here and why he had come. Of course, if he tried, if he concentrated hard enough, he could bring it all to mind. But there was little incentive to do that.

On one level it was very simple. He was here, in Lipetsk, on the advice of his doctor. There was nothing physically wrong with him, at least nothing that Dr Orlov had been able to find. He was suffering from a strange, unaccountable weakness and the exhaustion that came from that.

Dr Orlov had tapped his knee, peered into his eyes, pressed down his tongue and listened to his chest. His temperature had been taken, his pulse monitored and his blood pressure recorded. He had been prodded and poked and made to stand on one leg. He had given blood and urine samples. He would have given his tears too, if Dr Orlov had asked.

At the end of it all, the good doctor scratched his chin and shook his head. ‘It’s a question of nerves,’ he had declared. ‘Your nerves are disarranged.’

As to why his nerves were disarranged, or what that even meant, Virginsky showed no inclination to enquire.

Dr Orlov had recommended a sojourn in a spa resort. He had connections with the Sanatorium in Lipetsk, possibly connections that entailed a commission. The way Virginsky saw it, he might as well be in Lipetsk as anywhere.

He had spent most of the last three months alone, weeping in a darkened room. The passage of time was indicated by the thickness of Virginsky’s beard. Civil Service rules required him to be clean-shaven when he was practising as an investigating magistrate.

This journey, a thousand verst south, to a brighter sky and a warmer air, was the first step along what Dr Orlov hoped was the road to recovery. The problem was, Virginsky didn’t want to recover. He just wanted to curl up into a ball and die. Death would bring oblivion and oblivion was the best he could hope for. But his treacherous body insisted on living.

Virginsky did not believe in the soul. So what then was this thing inside him that had turned to stone? Whatever name he gave to it, it was a dead weight that he would lug around with him for the rest of his life. What happened after that was not his concern.

His black suit absorbed the day’s heat and turned it into sweat. A black top hat dressed with a band of black crêpe sat precariously on his head. His mouth gaped open, witlessly dehydrated.

He stood for a moment to get his bearings, as if he were trying to place a face. The other passengers, purposeful and garrulous, streamed away from him, a bank of receding backs. Then the engine released a cloud of steam that settled over the platform. As the cloud dissipated, it revealed the silhouette of a man who had turned to face Virginsky, about ten paces ahead.

The man’s face was still obscured by steam but Virginsky felt his heartbeat quicken as he registered the familiar body shape. It was unmistakable. The same short, squat figure, protruding in odd places. There was only one man shaped like that! Porfiry Petrovich! It had to be. And he was there, waiting for him!

Another billow of steam cloaked the figure once more. This time when it cleared, Porfiry was gone. Virginsky scanned the emptying platform in desperation. His old mentor was nowhere to be seen.

Of course he wasn’t there. How could he be? Porfiry Petrovich was dead. Virginsky himself had seen his mangled body lying in the street after he had been trampled to death by a team of horses outside the Circus Ciniselli. The accident had happened at the end of Virginsky’s last investigation.

So, he was seeing ghosts now? But if he didn’t believe in the soul, he certainly didn’t believe in ghosts. His mind was playing tricks on him, that was the only explanation. It was his guilt that had summoned Porfiry’s ghost, as it did every night in his dreams. Every night? Who was he trying to kid? In his current depressed state, he was asleep more hours than he was awake. Whole days and weeks were lost in marathons of sleep, interrupted only by his need to answer his bodily functions. He wondered if his prodigious exhaustion was a subconscious strategy to allow him to spend time in Porfiry’s company. 

But this was a new development, to see Porfiry while he was awake, in broad daylight, as it were, although the steam from the engine had cast a veil of obscurity and doubt over the vision.

Virginsky was rooted to the spot. All of a sudden, he felt someone push into him from behind. At the same moment there was a shriek of surprise.

He took a half step forward before turning to see the young woman who had just walked into him. Her face was flushed with embarrassment. Virginsky was vaguely aware of a group of friends around her, both male and female, who were laughing at her clumsiness.

‘Nadya!’ one man cried. ‘Watch where you’re going!’

Another man shook his head warningly at the speaker. Virginsky formed only the vaguest impression of her friends, except for this fellow. He was sporting a pair of eye-catching handlebar moustaches, which might have made him seem a comic figure. But he carried himself with a cocksure swagger. Even in his present distracted state, Virginsky was struck by the cold intensity of his glower.

The woman called Nadya looked at Virginsky with amazement, as if he had suddenly materialised out of thin air, which to some extent he had. When she had come to terms with his presence, she gave a half bow of acknowledgement. ‘I do beg your pardon, sir, though I confess, I did not expect there to be someone dawdling in the steam.’ Her voice betrayed her class, as did her bearing. She was a deep-boned aristocrat and always would be. Her seeming politeness was a practised act of condescension, designed to put Virginsky in his place. 

Virginsky blinked. He realised that she was beautiful but he felt her beauty as if it were a scientific fact rather than anything that could stir his emotions. He was almost angered by it. He hadn’t asked for it. He didn’t want it. He found that he had nothing to say to her.

No. Nothing. He had nothing left to say to any woman, however beautiful, since his rift with Maria Petrovna. If he could not speak to her, he would speak to none of them.

The group of friends parted around him and went on their way. He could hear them talking about him. One of them described him as an eccentric. ‘Did you see his eyes?’ another said. ‘He has been crying, I think.’ ‘He is in mourning, obviously.’ ‘Still, that’s no excuse…’ 

Their voices faded.

But he was too daunted to follow in their wake. 

In many ways, she, Nadya, was a more startling apparition than Porfiry Petrovich.





Universal Buy Link


This title is available to read on #KindleUnlimited.




Roger Morris


Roger (R.N) Morris is the author of 18 books, including a quartet of historical crime novels set in St Petersburg featuring Porfiry Petrovich, the investigating magistrate from Dostoevsky’s great novel, Crime and Punishment. These were followed by the Silas Quinn series set in London in 1914. Roger has been shortlisted for the CWA Duncan Lawrie Gold Dagger and the CWA Historical Dagger.

A former advertising copywriter, Roger has written the libretto for an opera, modern retellings of Frankenstein and Macbeth for French school children. He’s also a scriptwriter for an award winning audio producer, working on true crime and history podcasts including The Curious History of your Home.

His work has been published in 16 countries. 
Married with two grown-up children, Roger lives in Chichester where he keeps an eye out for seagulls.


Connect with Roger:

Website • Twitter / X • Facebook  Instagram  Bluesky