Thursday, October 16, 2025

Have a sneak peek between the pages of Under The Sword by Luv Lubker #HistoricalFiction #VictorianEra #GermanImperialCourt #RecommendedReading



Under The Sword

The Rival Courts

by Luv Lubker



From acclaimed Victorian historical author, Luv Lubker, the author of "Under His Spell" comes the continuing romance of the Princess Royal Victoria and Frederick III of Prussia.

Join Queen Victoria's eldest daughter and her husband, future German Emperor Frederick III in this third installment of The Rival Courts family saga, as they climb the treacherous path to their dream of German unification in the Franco-Prussian war of 1870.

In the calm after the storm, Vicky and Fritz have it all: a devoted marriage, a growing family, and the promise of a bright future. But Fritz's Uncle Karl lies in wait behind the scenes, hatching his newest plot. A shocking outcome of Vicky's Royal duties will bring fresh doubts to Fritz's heart, and his fatherhood.

As personal tragedy strikes and shakes them to their core, Fritz is forced to lead the largest battle history has ever seen. One which could change the face of Europe forever.

Vicky's best friend struggles to shield her daughters from the sinister force that seeks to control them. The youngest shares her grandfather's uncanny ability to know the truth behind others' motives. But can she see the truth in him? In such a dangerous world, what heroic role will this small child play?

Can they escape the danger and betrayal that lurks in every corner as they travel to the icy expanse of Russia, the peaceful Mediterranean shores, and the vast Eastern deserts?

Will Vicky and Fritz's love and marriage survive a mysterious illness, or will Uncle Karl's conspiracies tear them apart for good?

Fans of Clare McHugh's A Most English Princess, Mary Hart Perry's The Shadow Princess, and Daisy Goodwin's Victoria will be swept away by this gripping tale of love, war, and intrigue. With rich historical detail and deeply human struggles, Under the Sword, the third installment of The Rival Courts saga, brings to life the triumphs and tragedies in a fight against a nefarious trade which flourished in the shadows of the Royal court. A must-read for lovers of Victorian-era royal fiction.



He went on, toward Vicky’s boudoir. He opened the door softly, glancing in.


Vicky sat on the sofa with Baby in her arms, her head leaning down. The baby’s face was nestled against her breast, lightly covered by a white lace shawl. Both slept peacefully.


Fritz stood, gazing at Vicky’s face. How could he wake her to the misery of saying goodbye? And to say goodbye for how long? This war might be a terribly long one. And if he didn’t wake her, and… He turned, swallowing a lump in his throat, and went upstairs to the boys’ room.


Wilhelm and Heinrich were both asleep, their faces peaceful, though Heinrich’s hand twitched frequently. Fritz bent down and kissed them, and then went to Charlotte’s room. She, too, slept. Two days ago had been her 10th birthday; today… He bent down and kissed her gently on the forehead. “Meine kleines Mädchen,” he murmured, and turned to go downstairs again. He slipped quietly into his and Vicky’s suite again, but went directly to the nursery rooms.


He opened the door softly. Mrs. Wakelin sat in the corner, fast asleep, holding Waldie in her arms. The little boy whimpered in his sleep. Fritz sighed. Waldie was having nightmares frequently since the beginning of the war scare.


Fritz turned, bending over one of the little beds. Little Vicky’s eyes flew open as his beard tickled her face. “Papa!” She stretched her hands up to him and threw her little arms round his neck. He lifted her up.


“Möhrchen, you must be good and quiet; Papa must go,” he said gently. She looked up at him, tears appearing on her cheeks.


“Papa – Papa go – go to war?” He nodded, laying her back down in her bed. “No, no, Papa,” she sobbed, clinging to him.


He sat down on the bed, taking her hand and patting it against his cheek. “Hush,” he murmured, stroking her hair out of her face. She looked up at him, swallowing her sobs. “Will Möhrchen be a good girl and be quiet and not wake Mama?” he asked. Her eyes grew wide, but she nodded silently. He rose, looked about, and took a piece of paper from a little table, wiping a tear away as he wrote. He lifted little Vicky up again, controlling a sob he felt rising as he felt her little arms go around his neck again.


He opened the door of Vicky’s boudoir very softly, closing it behind him. He set little Vicky down on the sofa next to her mother, holding a finger to his lips, and placing the note in her hand. “Give it to Mama when she wakes,” he whispered. She nodded.


He turned toward the door, but stopped, looking back, unable to go. He stepped forward, going to the sofa again, knelt, and gently kissed Baby’s forehead, and then, very softly, touched Vicky’s lips with his.


“Fritz?” she murmured, smiling a little and turning her head. “Fritz.” She sighed and settled down, holding Baby closer to her.


Fritz stood, and went to the door. He couldn’t wake her. He would take that final picture with him in his mind, not that of her tearstained face, as he had in the previous wars. But he stood still for a long time, before he finally turned and closed the door behind him. 



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Luv Lubker


Luv Lubker began life in the Animal World, researching creatures great and small since before she can remember, and earning her degree in chicken psychology by age twelve. Not long after, she immigrated to the Victorian era, where she has lived half her life in close company with the Brontë sisters and made friends with Queen Victoria’s extended family, whom she now knows quite as well as her own kin.

Born in a cattle trough in the Appalachian Mountains, Luv currently resides in Texas’ Great Plains when visiting the modern world. When she isn’t writing or reading, she delights in preparing and savoring gourmet raw food with her family and exploring nature on long bike rides. Her special abilities include researching in seven languages and riding a unicycle since age seven.

Luv’s research delves into the unwritten stories that history left behind. Through unpublished letters, altered manuscripts, and deeply buried secrets, she reveals emotional truths concealed beneath the era’s refined exterior. Her novels give voice to the silenced, reveal what Victorians were taught to suppress and what their biographers chose to omit, tracing invisible scars that shaped lives, choices, and history itself.


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Book Review: Inês (Queens of Portugal Trilogy) by Catherine Mathis




*Editorial Book Review*

 Inês (Queens of Portugal Trilogy)
By Catherine Mathis 


Publication Date: 4th November 2025
Publisher: Histria Books
Page Length: 364
Genre: Historical Fiction / Historical Romance 

An heir to the throne, a gorgeous blonde lady-in-waiting, the king's trusted advisor. When a father and son don't understand each other, the son pays an outrageous price.

Love, jealousy, loyalty, and revenge roil the court of 14th century Portugal.

In this engrossing launch to the Queens of Portugal trilogy, Catherine Mathis gives a fresh take on the tale of Pedro and Inês, Portugal's real-life Romeo and Juliet. Pedro's father would not have been king if not for his trusted advisor, Gonçalves. Once king, he wants no part in neighboring Castile's royal convulsions though his son, Pedro, befriends powerful Castilians.

The all-consuming drive of the king is to ensure his line rules Portugal for centuries to come. He needs legitimate, strong heirs. The Infante Pedro loves a woman not deemed worthy to wear the crown as queen. Between father and son is Gonçalves, the king's powerful, unquestioned counselor who is mentor to the son. Both Gonçalves and Pedro seek the attention of Inês.

There is a horrific cost to winning the love of Inês. She will not release her grip on Pedro until he keeps the two sworn oaths he made to her. Can Pedro do the impossible to satisfy Inês?

Inês is based on real people and events exploring a cultural touchstone of Portuguese history. 


“Oh, you reach too far,” Coelho exclaimed. “All evidence we have suggests the Lady Inês acts as a loving mother to young Ferdinand. You suggest she would harm the boy? Ridiculous.”

“You say it yourself, Coelho,” Gonçalves said, taking the opening Coelho had given him. “She acts the part. What woman does not want her child to ascend the throne? Ferdinand has some illness every time we hear from Coimbra. Once and Beatrice have gone to God, what stops her?”

Inês de Castro finds herself ensnared in a tumultuous landscape of love and power. She had committed no crime, save for the boldness of marrying the king’s son and heir, Pedro, without obtaining the royal decree. Her heart was filled with a deep affection for Pedro’s son, Ferdinand, whom she cherished as if he were her flesh and blood. However, her choice of husband, along with the decision to raise a family in defiance of royal expectations, ignited a tragic sequence of events that would echo through the annals of history. This heart-wrenching tale of forbidden love and loyalty ultimately transformed into one of the most profound love stories ever recounted, leaving an indelible mark on the hearts and minds of all who come to know it.

“Inês (Queens of Portugal Trilogy)” by Catherine Mathis is a tale that brings the story of Inês and Pedro to a new generation of readers. 

Portugal in the 14th century is described as a land rife with tension and intrigue, where the bonds of family are perilously close to unravelling. This is an era where sons cunningly plot against their fathers, and brothers engage in fierce battles for supremacy. The air is thick with scheming, each whispered conspiracy echoing through the grand halls and shadowy corridors of power. The struggle for dominance is palpable, creating an atmosphere where loyalty is a fragile facade and betrayal lurks around every corner. Mathis masterfully encapsulates the essence of this tumultuous era, drawing readers into the medieval world.

Mathis’ vivid imagery brings the setting to life; one can almost hear the clatter of armoured heels against stone and see the flickering shadows cast by torches in dimly lit passageways. With meticulous detail, Mathis portrays castles steeped in history, opulent palaces echoing with secrets, and tranquil manor houses where characters can escape the relentless buzz of court life. The bustling streets are alive with vibrant colours and the sounds of daily life. When the plague sweeps across the land of Portugal, Mathis vividly illustrates a nation engulfed in chaos and despair. The streets are filled with fear and uncertainty as communities grapple with the devastating impact of the disease, revealing the deep emotional and social turmoil that grips the country. This immersive backdrop not only places the reader within the historical context but also enhances the emotional impact of the story, making each moment feel urgent and real.

The writing is richly descriptive and deeply evocative, vividly painting scenes and emotions that draw the reader into the heart of the story. Mathis utilises lush imagery and intricate sensory details, allowing audiences to see, hear, and feel the world within the narrative. The voice adopts a formal and sophisticated tone, mirroring the refined social conventions and historical context of the era it depicts. Through the careful selection of archaic language and elaborate courtly phrases, the story not only captures the authenticity of its setting but also envelops the reader in a timeless experience, inviting them to immerse themselves fully in the unfolding tale.

The historical characters in this book are portrayed with great care and compassion, as the author makes a concerted effort to adhere to historical truth. The story follows the life of Pedro, who would later become known as Peter I of Portugal. Starting as an impressionable four-year-old, he matures into an arrogant youth, which disappoints his father. Despite his efforts to learn how to govern a kingdom, Pedro never seems able to gain his father’s approval, which impacts him profoundly. Pedro is resigned to a political marriage, but it is not his intended bride, Infanta Constanza of Castile, who captures his heart; rather, it is her lady-in-waiting, Lady Inês de Castro. He understands that she is beyond his reach, a forbidden temptation that society deems unacceptable. Yet, despite this knowledge, he cannot silence the yearning deep within his heart that compels him to love her, body and soul. Pedro is portrayed as a likeable character ensnared in a web of political intrigue while struggling to meet his father’s expectations. Knowing that he will one day rule Portugal, Pedro is quick to seek advice. However, as he grows in confidence, he becomes more attuned to his own judgment. In this poignant novel, Pedro endures profound hardships that have a strong impact on the reader. His struggles are vividly depicted, evoking a powerful sense of empathy as the reader watches him navigate his painful journey. The emotional weight of his suffering compels the reader to feel genuine compassion for him. At times, Pedro’s insatiable thirst for vengeance consumes him, driving his actions to the brink of madness. The brutal horrors he inflicts upon his prisoners reveal the depths of his rage, yet somehow, readers find it difficult to muster any sympathy for those who suffer at his hands. Pedro’s story is unforgettable because he lives a life of profound tragedy.

Lady Inês is depicted as a woman whose heart is profoundly devoted to her husband. Her love for him is passionate and unwavering, yet she possesses a remarkable insight into the perilous consequences that her union with Pedro might entail. Despite her keen awareness of these risks, she could never have foreseen the tragic conclusion that awaited her. Exiled for the “crime” of loving so deeply, her character resonates with an extraordinary charm and vulnerability. Readers are drawn to her endearing qualities, wishing fervently for a different fate—one that spared her from the heartache and despair that ultimately defined her story.

King Afonso IV, the father of Pedro, is portrayed as a deeply conflicted character. He struggles with his ambitions for the throne while also navigating strained relationships with his father and half-brother. After the death of his father, Afonso ascends to the throne with fierce determination. He is committed to eliminating any possibility of illegitimate offspring contesting his rule. Driven by a desire to avoid the bitter rivalries that have plagued his family in the past, he works hard to prevent a civil war that could threaten the stability of his kingdom. Surrounded by a loyal circle of advisors, Afonso is depicted as a genuinely likeable figure, often charming those around him with his charisma and leadership. However, some of his decisions raise concerns, leading to doubts about how much he should heed the advice of his advisors, who know how to manipulate his fears.

Of the various antagonists in this tale, Álvaro Gonçalves stands out as the most morally reprehensible. At first glance, he appears to be a cunning advisor, seemingly devoted to the king and genuinely concerned about maintaining stability within the kingdom. However, as time unfolds, his true nature is revealed. He skilfully manipulates his position, subtly guiding the king toward his own ambitious agenda. Gonçalves is a ruthless individual who cannot tolerate any perceived slight against him. This leads him down a dangerous path of vengeance, driven by his need for retribution, regardless of the potential fallout for both the king and himself. His duplicitous nature casts a dark shadow over the court, making him a formidable and treacherous adversary. He is a character whom the reader ultimately grows to despise.

“Inês (Queens of Portugal Trilogy)” by Catherine Mathis is an enthralling historical fiction novel that transports readers to the vibrant and tumultuous world of Portugal’s royal history. With richly detailed descriptions and intricate character development, the story delves into the lives of the men and women who shaped the nation. The themes in this story resonate deeply with the reader, exploring love, ambition, and the complexities of court life. Mathis masterfully weaves emotional depth into the narrative, creating a deeply engaging experience that leaves a lasting impression and invites readers on an unforgettable journey through the grandeur and intrigue of Portugal’s past.

Review by Mary Anne Yarde
The Coffee Pot Book Club



Catherine Mathis 


Facing the first Christmas without our only child and overwhelmed with work obligations, I asked my husband to plan a holiday trip. Proudly he lay out an itinerary to Portugal though not to the beaches of the Algarve. It helps to know we both love history. We drove north from Lisbon to wine, dine, and explore the country’s past.

Inspiration comes from the oddest circumstances. In a town less visited I found a stunning pair of tombs for a country with few intact relics of the time before The Earthquake (All Saints Day, 1755). A single question led to a rabbit hole from which I have yet to emerge. Who lay in the elegant pair of sarcophagi in Alcobaça's Abbey? We stumbled upon Iberia’s Romeo and Juliet. Shakespeare’s tale overwhelmed one of the medieval antecedents to his play. From the legend of Inês and Pedro, the story continues into the next generation with Leonor's tale. Finally, Queen Philippa, daughter of John of Gaunt and mother to one of the greatest generations of Portuguese royals. Fear not, Iberia has more tales to tell keeping my writing future fully engaged.

Born in Berlin as the first child of a spy and his secretary then wife, I grew up oblivious to their past. My earliest memories arise from growing up in the Washington, D.C. area where I went to public schools. As I entered junior high, my dad took a job with the Drug Enforcement Agency; a detriment to high school popularity. I graduated from Sewanee|The University of the South with a major in history. A career in corporate and international banking gave me the opportunity to travel to Asia, the Middle East, and Europe. I now write, live, and work in Atlanta near our son and his treasured family.

Outside of writing, my spare time joys are family, friends, reading, folk/outsider art collecting, and travel. There are just never enough hours in the day for all the opportunities to enjoy and thrive.

I am a member of The Authors Guild, the Historical Novel Society and the Atlanta Writers Club.

Connect with Catherine Mathis:

Wednesday, October 15, 2025

Book Review: The Widow of Hartforde by J.F. Baker

 



*Editorial Book Review*

The Widow of Hartforde
By J.F. Baker


Publication Date: 29th July 2025
Publisher: Foxburg & Stern Books, LLC
Page Length: 348
Genre: Historical Thrillers / Supernatural / Horror

A chilling historical horror novel of witch trials, survival, and the true monster hiding among us.

Connecticut Colony, 1662

During a midnight witch trial, an unsettlingly woman confesses to making a pact with the Devil—after encountering a terrifying beast in the woods. Her words send a shiver through newcomer Rebecca Easton. She’s seen that creature too.

But when Rebecca dares to speak the truth, suspicion turns on her. Accusations fly. The townspeople whisper. And now, she too is facing the judge.

To save her, Rebecca’s husband Caleb—Hartforde’s devout reverend—strikes a horrifying bargain: the beast will be found before sunrise… or Rebecca will hang.

As Rebecca leads the search party into the dark forest to chase down danger, Caleb uncovers a deeper, deadlier secret—one that exposes the judge’s hidden agenda and forces the town to confront the real evil lurking behind the witch hunts.

A gripping standalone for fans of The Witch, Year of Wonders, and dark historical fiction with a supernatural twist.

Combining folklore, feminist horror, and true events from one of America’s earliest witch trials, this novel delivers atmospheric suspense, richly layered characters, and a haunting mystery that won’t let go.


“I wanted to tell you—tell the court, I mean—that I saw it too,” Rebecca stammered, her voice sounding much weaker than she’d meant it to. She twisted her cloak in her hands, her nails digging into its rough wool, suddenly feeling all the attention in the church turn to her. The men from the Particular Court gaped at her from the front of the church over their parchment and legal books, and the eyes of the congregation behind her bore into her back. She stared straight ahead at the Judge and swallowed, feeling her cheeks flush. 

“Repeat that,” the Judge commanded, walking closer. He placed his fists on his hips, the sleeves of his black robe tenting out around him like a black raven’s wings. 

Rebecca cleared her throat again, determined to speak louder. “I said, I’ve seen it. The animal, the Beast, in the woods. A creature just like the one the Widow described.” 

Ecclesiastes 3:7 states that there is a time for everything: a time to be silent and a time to speak. Rebecca should have chosen silence, yet the widow’s ominous words weighed heavily on her mind, and Rebecca felt an overwhelming need to confirm her claims, for she too had witnessed the beast prowling in the forest.

Now, as she stood before Judge Madden, she could feel his piercing gaze scrutinising her every move, filled with suspicion and authority. He issued an ultimatum that sent chills down her spine: she had until dawn to track down the elusive creature and present it before him. Otherwise, she would be dragged into the clutches of the law, facing the same grim fate that awaited Widow Goodness—condemned to death for witchcraft.

“The Widow of Hartforde” by J.F. Baker is an enthralling novel that expertly weaves elements of the supernatural into its compelling narrative. Set against the backdrop of a quaint, atmospheric town and a beautiful, if not deadly forest, the narrative develops with a blend of mystery and intrigue that is sure to captivate fans of the genre.

Set in the year 1662, this novel intertwines elements of fantasy with historical themes. While the story draws inspiration from the infamous American witch hunts, readers are invited to suspend their belief in strict historical accuracy and immerse themselves in a world where the supernatural takes central stage. 

Baker deserves high praise for her rich, vivid descriptions and striking imagery. Each scene is meticulously crafted, allowing the reader to not only visualise but also feel the surrounding ambience. The rustle of leaves, the distant echo of footsteps and frightful hissing, plus the lingering scent of damp earth and the coldness of snow, all come alive, creating an immersive setting that feels tangible. Every carefully chosen word builds upon the suspense, drawing readers further into the narrative’s depths and intensifying their eagerness to discover what twists and turns await them next.

The novel features a diverse array of characters, each intricately crafted with unique personalities and interesting backstories. From the enigmatic protagonist, whose struggles resonate deeply, to the supporting cast that brings vibrant depth to the narrative, every character plays a significant role in the developing story. 

Nightmarish visions relentlessly haunt Rebecca. They are filled with chilling images of death, chaotic turmoil, and an all-consuming fear of abandonment. After following her devoted husband, Reverend Caleb Easton, to the quaint yet foreboding town of Hartford, Connecticut, she finds herself woefully unprepared for the profound isolation that envelops her. Their home is sturdy yet shadowy, standing at the edge of a forest teeming with the unseen stirrings of wolves and bears. The whispers of the native population echo in the air and heighten her sense of unease. Yet, it is not just the solitude of her surroundings that troubles Rebecca. A gnawing dread seeps into her thoughts—an instinctive premonition that something otherworldly lurks just outside her perception. Through the tangled underbrush, she caught a glimpse of movement. This flicker ignites a profound anxiety within her—an unsettling presence wrapped in a sinister energy, something ravenous and desperate for blood. Rebecca’s journey through this harrowing reality, rich with psychological tension and earthy detail, propels the story forward and makes this book unputdownable.

Judge Madden commands the courtroom with an imposing presence, his voice resonating like thunder as he resolutely pursues the truth and enforces the law. His fervent obsession with identifying and prosecuting witches is palpable, radiating from him like an electric charge. Yet, his methods cast a long shadow, raising profound ethical concerns that linger in the air. From the very beginning of the novel, it becomes strikingly evident that a deep-seated animosity toward women simmers beneath his stern exterior. He relishes the overwhelming authority he wields over their lives, deriving a twisted satisfaction from the power he holds. Madden’s role as the ultimate arbiter of life and death transforms him into a harbinger of dread, expertly wielding fear as a weapon. This fear is not merely a tool of subjugation; it reverberates through the community, unsettling the calm and igniting a terrifying mob mentality that can spiral into chaos and violence. As the tale unfolds, Judge Madden evolves from a mere legal authority into a catalyst for hysteria, his actions blurring the lines between what is just and what is oppressive. In this chilling portrait, he embodies the dark complexities of power, reflecting how it can corrupt and unleash a torrent of turmoil upon unsuspecting lives.

Although Reverend Caleb adheres to the strict tenets of Puritanism, he harbours scepticism about the existence of witches. Unlike the zealous Judge Madden, who readily accuses others based on their sex, Caleb approaches allegations with measured caution. His calm and introspective nature sets him apart from the fiery Judge, allowing him to assess critically the authoritarian figure before him. Caleb recognises the Judge’s true character—a man driven by an insatiable ambition and an overwhelming desire for power, often at the expense of justice. In stark contrast to the prevalent Puritan belief that associates witchcraft with a sinister pact with the Devil, Caleb relies on reason and the tangible evidence presented to him. He is not swayed by paranoia or fear but seeks to uphold a sense of integrity. This ability to approach complex situations with compassion and empathy reveals a deeper moral fibre in Caleb, endearing him to readers. He emerges as a beacon of rationality amidst the chaos, making him a character that resonates with warmth and honesty.

Widow Goodness is portrayed with remarkable depth and complexity. Ironically, her surname starkly contrasts with her true nature; there is nothing virtuous about her character. Her arduous struggle to comprehend the divine has shattered her spirit, pushing her toward a far more malevolent figure to worship. This internal conflict not only shapes her actions but also reveals the darkness that has taken root in her heart, illustrating her profound transformation from hope to despair. As she grapples with her beliefs, the readers witness her descent into a reality in which faith and morality become painfully distorted. Accused of witchcraft, Widow Goodness has no defence and indeed seems to welcome the accusation, even as she struggles to free herself from the grasp of the men holding her. Despite Reverend Caleb’s desperate attempts to help her, she rejects the assistance of a man who holds God on high. Widow Goodness is wonderfully depicted, and her ability to appear both violent and vulnerable simultaneously lends weight to her character.

The tension throughout this novel is palpable. The uncertainty surrounding Widow Goodness’s culpability and the potential fallout for the tight-knit community, as well as the mysterious beast that lurks in the forest’s shadowy depths, brings fear to the story. Accusations of witchcraft swirl like an ominous fog, with townspeople casting suspicious glances and whispering malicious gossip that fuels the atmosphere of paranoia. Widow Goodness, with her chaotic appearance and cryptic words, raises the stakes further, hinting at dire consequences should the truth of her innocence or guilt remain unresolved. The dramatic irony is almost tangible, as the reader is aware of truths that the townsfolk are not, as the story moves from the jailhouse and gallows back to the forest and the hunt for the beast, which heightens the tension to an almost unbearable degree. Vivid imagery paints the scene—pictures of flickering lanterns casting eerie shadows in the woods, and the wind rustling through the trees adds another layer of anxiety. The dialogue crackles with suspense, filled with charged exchanges that reveal deep-seated fears and conflicts. This carefully crafted pacing ensures that each moment lingers, intensifying the feeling that something dire is imminent, leaving both the characters and the readers on tenterhooks.

“The Widow of Hartforde” by J.F. Baker is a compelling read, drawing the reader into a world filled with mystery and intrigue. As you turn each page, you’ll find yourself invested in the chilling yet heartfelt narrative that explores themes of loss, love, and the unknown. This is a novel that demands your full attention—you won’t be able to put it down until you’ve reached the final, breathtaking conclusion.

I Highly Recommend

Review by Mary Anne Yarde
The Coffee Pot Book Club

*Ref: Ecclesiastes 3:7. Holy Bible, New International Version®, NIV® Copyright ©1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission. 

Read with #KindleUnlimited subscrption


J.F. Baker


J.F. Baker is the author of historical thriller THE WIDOW OF HARTFORDE; the romance 26 WAYS TO COME HOME FOR THE HOLIDAYS (the 2025 International Book Award — Romance category winner); the middle-grade fantasy THE BROTHERS DRAGON: BEYOND LAND'S END; and various short stories.

She worked as a writer and editor for Disney Parks for 19 years. She has an MA in Creative Writing (Harvard University) and is repped by Folio Literary Management.




Tuesday, October 14, 2025

Join us as author Catherine Mathis introduces Inês and Pedro of Portugal #HistoricalFiction #Medieval #RecommendedReading



INÊS

Queens of Portugal Trilogy, Book #1

by Catherine Mathis 



An heir to the throne, a gorgeous blonde lady-in-waiting, the king's trusted advisor. When a father and son don't understand each other, the son pays an outrageous price.

Love, jealousy, loyalty, and revenge roil the court of 14th century Portugal.

In this engrossing launch to the Queens of Portugal trilogy, Catherine Mathis gives a fresh take on the tale of Pedro and Inês, Portugal's real-life Romeo and Juliet. Pedro's father would not have been king if not for his trusted advisor, Gonçalves. Once king, he wants no part in neighboring Castile's royal convulsions though his son, Pedro, befriends powerful Castilians.

The all-consuming drive of the king is to ensure his line rules Portugal for centuries to come. He needs legitimate, strong heirs. The Infante Pedro loves a woman not deemed worthy to wear the crown as queen. Between father and son is Gonçalves, the king's powerful, unquestioned counselor who is mentor to the son. Both Gonçalves and Pedro seek the attention of Inês.

There is a horrific cost to winning the love of Inês. She will not release her grip on Pedro until he keeps the two sworn oaths he made to her. Can Pedro do the impossible to satisfy Inês?

Inês is based on real people and events, exploring a cultural touchstone of Portuguese history.


Praise for Inês:


 “Mathis masterfully weaves emotional depth into the narrative, creating a deeply engaging experience that leaves a lasting impression and invites readers on an unforgettable journey through the grandeur and intrigue of Portugal’s past.
~ Mary Anne Yarde, The Coffee Pot Book Club 5* Review


This exciting start to the Queens of Portugal trilogy describes the legendary love story of Pedro and Inês, and I was amazed at the excellent storytelling and how the author brings the courts to life. There is a lot of drama and intrigue, and the characters' emotions are beautifully captured in this engrossing tale.
~ Readers Favorite 5* Review


Inês is set in Portugal in the time between December 1324 and September 1364. Images from these years are rare. Pedro left us a gift – their glorious sarcophagi. He commissioned the graves and wanted them set so that at the end of time they would rise up and see each other first. Here are snips of photos from Alcobaça Abbey’s website. Though it is hard to see, Pedro is smiling.


  
Inês is a young woman of fifteen when she comes to Portugal with her beloved friend who will marry the heir to the throne. She is young and fun. She is a blonde and has a long neck, not traditional signs of beauty. In those days women plucked their foreheads to make them larger. She is educated, well-read for the time, and willing to banter. She is full of life, not shy.

Her great-grandfather was a King of Castile. Alas, she is the daughter of a powerful Castilian / Galician nobleman and his mistress; she is illegitimate. The nature of her birth closes certain doors to her in medieval life. For instance, no one would ever consider her worthy of being a queen. Despite her birth she can aspire to a marriage with a younger son of a noble family or a member of a lower-rank of the nobility. Having suffered the slings of her birth, she is determined not to become a mistress. She wants to be married into an appropriate family and have children. Her determination and choices ultimately come at the highest cost.

She is attracted to Pedro, heir to the throne of Portugal, who is good looking and interested in fun, hunting, and music. Flirtatious banter becomes her stock in trade. When they quickly fall in love, she refuses to become a mistress, even for him.

Unfortunately, the king’s trusted advisor, Gonçalves, also takes an interest in Inês. She is caught between two men, one she is unworthy to wed and one who repels her.

The Prologue introduces the main characters since Inês does not arrive on the scene until a quarter of the way into the novel. The protagonist is Pedro, Infante and future king. Gonçalves, the antagonist, is one of three senior advisors of Pedro’s father, King Afonso IV of Portugal. King Afonso and Inês are foils. Each helps us understand the actions of Pedro and Gonçalves.

In the first quarter of the book, we learn why King Afonso trusts Gonçalves without question. Pedro’s father felt he nearly lost his crown before he had the chance to wear it. He is a man with a black and white view of the world. He is a proponent of fair justice, good governance, and loyalty. When it comes to his family, and especially his heir to the throne, he is intolerant of anyone who threatens them. Justice is swift. He may be king but in many ways he is insecure. Afonso is a man of military bearing, strict regimen, faithful to his wife, and serious. He cannot relate to Pedro, his only son to survive to adulthood.

The future of the family rests on Pedro. As a small child he has only a distant attachment to his father though he is close to his mother. As he grows, he is a throw back to his grandfather, a king with mistresses who wrote poetry, loved music, and was easy to be with, a good king, one who lived life fully. Pedro must mature into a man worthy to rule which his father fears will not happen. Afonso does not understand his son. When Pedro makes a promise, he keeps it. He too values and administers justice. He has close friends who support him through thick and thin. He respects his mother and will not complete some of his pledges until after her death.

Gonçalves is a successful man by any measure though not physically attractive. I give him the same date of birth and a role as nursery mate to King Afonso. He was not highly born but gained access at the turn of fortune’s wheel. Like so many men over time, he thinks when he wants a woman, she is there for him to take. Inês would serve him well as wife and, given her birth, being married to the king’s advisor is a reasonable role. When she tries to escape or avoid him, jealousy overtakes him. He especially recalls her rejection when she drags Pedro from his rightful role to marry a princess of worthy standing to be Portugal’s future queen. It is that thing: “If I cannot have her, then no other man can.” You still hear it today when men murder women trying to get away from them. Unreal!

It is innate in human nature to recall the sense of loss over the reality of a gain, a hereditary defense mechanism. People often remember an insult and a failure faster than the good things in life. Bad memories are more likely to hurt than good memories are to bring the euphoria of joy. Often murder mysteries center on something that happened in the past, often years and years ago. So too with Gonçalves, every time the subject of Inês comes up, he feels that twinge of pain.

Gonçalves seeks what he believes is his right to ‘own.’ Over time Inês clings to hope and acts for her desired outcomes. Pedro seeks to keep two challenging promises, one of which is impossible.

Read the book to see if Pedro figures out how to honor two vows he holds sacred.




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Catherine Mathis


Catherine Mathis was born in Berlin, the daughter of an American spy. As she grew up in Washington, D.C., her spy father turned into a drug enforcement agent. His career change wrecked any chance at high school popularity.

She graduated from Sewanee | The University of the South with a degree in history focused on the medieval period. After a career in finance, she returned to her first love of medieval history to ‘Share Iberian Tales.’

Outside of writing, spare time joys are family, friends, reading, collecting folk / outsider art, and travel.

Library Journal included Inês on its list of coming historical fiction for July 2025 - June 2026 in June 2025 during the annual meeting of the American Library Association. The book is in the Turbulent Relationship category, a great category name.

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