*Editorial Book Review*
The Cleansing
A Novel of Ancient Rome. Based on a True Story.
Publication Date: January 20th, 2026
Publisher: Hypatia Press
Pages: 314
Genre: Historical Fiction
Publisher: Hypatia Press
Pages: 314
Genre: Historical Fiction
Based on a true story, this is not the enlightened Rome of myth. This is a city choking on fear, where blood flows on both the battlefield and altar, and where generals and politicians alike are desperate to appease rageful gods.
When 50,000 Romans fall in a single day at the Battle of Cannae, priests claim there can be only one reason the gods abandoned Rome: a Vestal Virgin has broken her vow of chastity. And they accuse Opimia (Mia), the strongest, most defiant of the six sacred Vestal priestesses.
Forced as a child into serving Vesta, the goddess of fire, Mia has always chafed against Rome’s control of her every move—especially after being separated from her childhood love, Attius. Now, accused of a crime she did not commit, she must defend herself in a hostile court to avoid being buried alive for her “crime.”
Betrayed by the high priestess, hunted by Rome’s political and religious elite, Mia must either accept her fate — or join with the Sybil of Cumae to expose the truth behind a world built on superstition, fear, and lies.
A story of personal awakening amid public catastrophe, The Cleansing is a haunting journey through a city at war with itself — and a woman who risks everything to survive it.
"But a lie convincingly told without cease was a lie that became fixed as truth in the minds of those who needed it to be true."
In The Cleansing, we're heading to ancient Rome in 216 BC, at a time when its very core was threatened by a most formidable, clever foe who relentlessly pursued Romans up and down the Italian boot and beyond: Hannibal.
Most readers will be familiar with Hannibal's impressive crossing of the Alps – complete with elephants – but students of Latin, like me, will have had even more insights into the great leader's successful campaigns. And the battle of Cannae was one of his greatest successes. With tens of thousands of Roman soldiers dead on the field, it was an unprecedented disaster for the Roman republic.
Much to the frustration of the survivors, who somehow had to convince the crowds in Rome that challenging the dangerous North African general was the idea of those who perished. Whatever upset the Gods to allow this calamity to happen had to be a serious offence!
Nothing at all to do with General Varro's disastrous misinterpretation of the situation. On the contrary, he and his followers quickly rewrite history, to shift the responsibility to the dead Consul Paullus – and to a group of women who must have sinned for the Gods to allow this to happen: the Vestal Virgins.
But I rush ahead. Opimia – Mia – is a Vestal Virgin priestess, who was taken in as a young girl to serve the goddess Vesta for at least thirty years. Gifted with a strong will and a mind of her own, Mia does not make friends amongst her superiors, but relishes in challenging them and their views at every opportunity. Little does she know that alienating the Pontifex Maximus and the Maxima Virgo would lead to her being falsely accused, sixteen years later, of unchastity.
Unbeknownst to them, Mia has a secret childhood love, Attius, but her vows mean she never gives in to temptation. She is aware of her responsibilities, which, despite her challenging nature, she never shirks.
But Attius fought in Commander Paullus’ contingent, which was annihilated at Cannae. Fraught with secret grief, Mia's fury is kept under tight control.
When her friend Prisca tries to warn her, providing her with funds for an escape, Mia discovers it's too late. Accused of having entered into relations with Consul Paullus’ nephew, Mamercus Aemilius Lepidus, she realises the dark forces behind Varro changing the narrative – they are looking for someone to blame. A Vestal virgin and a family member of a dead commander fit the bill perfectly.
Will Mia survive a trial where everything is stacked against her? Or will she be sacrificed on the altar of rewritten history?
The Cleansing is a novel that pulls you into the intrigues, political machinations, and personal ambitions of the patriarchal powers in ancient Rome.
A battle lost with tens of thousands of men – fathers, husbands, sons – leaves Rome reeling. But the mood cannot continue for long. Soon, new laws prevent women from wailing in public, from openly showing their grief, and from telling tales of loss and death. Senators and religious leaders move swiftly to shift the blame from influential Gaius Terentius Varro to those who are most vulnerable to the rage of the mob: women.
A Vestal Virgin must have sinned. There is no other explanation for the tragic defeat. And with Hannibal knocking on Rome's door, only a worthy sacrifice will suffice. The mob is baying for punishment.
We witness Mia's horror first hand – her faint hope, her determination to prove her innocence, and her frustration with her superiors and the court. She realises it's a clever stitch-up by those who hate her, and she's easy prey.
Mia is a fascinating character who is easy to root for. Never content with the fate her pater had chosen for her, yet fully aware of her responsibilities as a Vestal priestess, she continues to antagonise her superiors. This kind of determination is not just a modern invention – it has always existed where women challenged the established patriarchal order.
Mia is not adverse to flouting the rules legally, and her close scenes with Prisca prove that point, although her love for Attius never sees her break her vows. Her character remains pure, yet the Pontifex Maximus and her superior, the Maxima Virgo, seek her death with relish.
The plot progresses at a breathtaking rate, but there are plenty of moments to revel in memories of Mia's past, cleverly interspersed with her present, that reveal her background, times with her friends, and her own motivations. We have regular flashbacks that take us from a tense courtroom, with its mob baying for blood, to her origins.
Ms Alvear portrays vividly the political intrigues and Varro's fight for power following his disastrous decision to engage Hannibal in battle. She also shows up the senators, consuls, and religious leaders for what they were – quick to condemn women for the mistakes of men. The perfect distraction from the truth.
I thought Mia had a few rather modern traits, but in essence, she was very much a young woman trying to survive against the odds. Highly intelligent, well-educated, and loyal to her cause, she discovers that her loyalty is worth nothing in the scheme of greater events unfolding outside her control.
The mob mentality shown in the novel is terrifying, and completely realistic, even to modern standards. Like sheep, people follow a plot they want to believe in, at whatever cost. A female scapegoat – a sinner! – completes the picture. Only after punishment will things improve. They will, won't they?
The historical research Ms Alvear has undertaken is impeccable, and through Mia's eyes, we get a real sense of being there – with Attius, with Prisca, in the courtroom, exposed to the crowds. We are scared by the braying mob; and we see through the scheming head priest and her direct superior, the Maxima Virgo. We witness a patriarchy under threat through the eyes of the critical young woman it seeks to silence in order to claim fragile supremacy. Conform, or die!
Ultimately, The Cleansing is a tale of warning – about ancient Rome and its corrupt elite desperately trying to rewrite history, and to the present time where women are still being blamed for men's mistakes across the word. The narrative hasn't changed much over two millennia, and Ms Alvear's thrilling plot brings that message home.
This novel is based on real events. Reading The Cleansing, you enter an ancient world at point of despair, made up of smoke and mirrors, where the truth changes and innocent victims are sacrificed to cement the new narrative. The Gods must be appeased, of course. Collateral damage for the greater good. Blame it on the women...
The Cleansing is an utterly absorbing, thought-provoking, and highly memorable read. It's one of those novels you will be reading again and again.
Highly recommended.
Review by Cathie Dunn
The Coffee Pot Book Club
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Victoria Alvear
Victoria Alvear has written multiple books and novels set in the ancient world, including A Day of Fire: A Novel of Pompeii, A Song of War: A Novel of Troy, Cleopatra’s Moon, and others.
She is known as Vicky Alvear Shecter for her children’s books, which include Warrior Queens, Anubis Speaks!, Hades Speaks!, and Thor Speaks!.
Victoria has served as a docent at the museum of antiquities at Emory University for nearly twenty years.
Connect with Victoria:
Website • Twitter / X • Facebook • Instagram • Threads • Bluesky
Amazon Author Page • BookBub • TikTok • Pinterest • Goodreads





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