The war of the gods has begun, and it has ramifications for all who live in the mortal world.
Tears of the Aeon: The Gothic War by R. F. Pina is an enthralling and incredibly successful story about the Roman-Gothic War as well as the conflict between Roman and Christian deities. This book is as impressive as it is immersive and a must-read for fans of historical fantasy set within a fictional world.
There is a huge cast of characters in this novel, and if the reader is not familiar with this era of history, they may initially struggle to keep up with who is who. A glossary of the characters at the beginning of this novel would be helpful so the reader can refer back to it. As the story progresses and the principal players take control of the narrative it becomes much easier to remember who is who and what their role is in the story. Pina does on occasion bring in new characters, such as Aldred, for a short while, simply to help advance the plot.
This novel follows the historical timeline of Roman Emperor Valens life, starting with the defeat of the usurper Procopius and continuing until his death at the battle of Adrianople. Pina sticks very close to the historical truth of Valens’ reign. His administration is ruled by a fear of death mirroring Caesar’s; he’s anxiously preoccupied with his personal safety, fearing assassination from within. Though a cautious statesman who listens to his advisors, he doesn’t always concur, ultimately bearing the weight of every decision—a burden he finds challenging. Valens faces battles on all sides, as his personal life mirrors the complexity of his political career. Valens is a complicated man with an equally complex life. This story illustrates the intricate difficulties and heavy responsibilities Valens faced governing the Eastern Roman Empire at that time. With skilful strokes of the quill, Pina has breathed new life into Valens, bringing his story to a new generation of readers.
Empress Albia (Domnica) is depicted as an intelligent woman, who has an aversion to her husband but is determined to protect the empire. Albia elicits diverse responses from the reader based on her behaviour. Her behaviour fluctuates between cruelty and kindness, making her an interesting character to read about although not one the reader will necessarily like. She is much more decisive than Valens and she sometimes succeeds where he fails.
Fritigern is a crucial ally of the emperor until Valens deems otherwise. Together with Valens, he battles against the threat of his adversary Tervingi Goth leader, Athanaric. But when he appeals to Rome for protection from the Huns, his relationship with Valens deteriorates. Despite promises of safety and supplies, Rome’s shortcomings and widespread corruption damages Fritigern’s relationship with his Roman allies. The reader can only watch and wait with bated breath to see what Fritigern will do next. Fritigern is a fascinating character who really piques the reader's interest.
Ahediel has been sent from the heavenly realm to complete a series of challenges. Not only will he be tested on his physical strength but also his strength of will. Ahediel is permitted to watch the humans, but intervention is strictly forbidden. Everything in the human world is alien to Ahediel, and he marvels in the simplest of pleasures. However, his actions and reactions to certain events affect the course of his life. Ahediel is a very spiritual being, whose strength is seemingly unparalleled, but as the story progresses, he finds the challenges more and more difficult to complete. His celestial being and his god-like abilities certainly keep the reader engaged throughout the novel.
While the reader anticipates armed men in martial epics, Pina uses armour to symbolize more than just military defence. Despite his lack of abdominal muscles, Valens’ leather armour replicates them, making him look stronger than he is, but his war armour transforms him into a heroic fairy-tale figure who, like a god is seemingly immortal, despite his mortality. The shining silver of Ahediel’s armour reflects his divine being, embodying the radiant truth of the Roman’s Christian god, his armour is impervious to assault. The black armour of the ancient gods brings with it a sinister feel. Characters like Licinius feel burdened by the weight of their armour, and thus the weight of this seemingly never-ending conflict.
The novel’s exploration of light and darkness consistently challenges the reader to define each concept. With his white feathered wings and silver armour, Ahediel symbolizes the light of Christianity. Whereas black symbolises the darkness of the old Roman Gods. However, the straightforward association of light with goodness and dark with evil is more subtle than it initially appears, offering readers an intriguing concept to ponder. Is there evil hidden in the light, and goodness hidden in the dark?
This novel is historically accurate, yet it also features a compelling interwoven supernatural thread. The war of the gods is a constant presence in the reader’s mind as the story unfolds. Who will win - the Gods of Rome or the new Christian god? As the Christian religion begins to dominate, the old gods find it increasingly difficult to maintain their strength, however, they are not giving up without a fight. While the humans fight their mortal battles the gods also become fallible. Without prayers and offerings, they too can die. The conflict between the gods is a fascinating addition to the story and really helps to keep the reader engaged.
For fans of well-written historical fantasy, Tears of the Aeon: The Gothic War by R. F. Pina is an absolute must-read. Book 2 cannot come soon enough!
I Highly Recommend.
Congratulations. I have added your book to my to-read list, it sounds brilliant!
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